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	<title>Pistols@Noonish</title>
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		<title>Safety Last!</title>
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		<pubDate>Sat, 15 Jun 2013 16:17:56 +0000</pubDate>
		<dc:creator>Josh Lunden</dc:creator>
				<category><![CDATA[Blu-ray Review]]></category>

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		<description><![CDATA[Safety Last! is the pinnacle of 1920s comedic "thrill pictures."]]></description>
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		<title>Man of Steel</title>
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		<pubDate>Sat, 15 Jun 2013 03:10:21 +0000</pubDate>
		<dc:creator>Josh Lunden</dc:creator>
				<category><![CDATA[Cinema Notes]]></category>

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		<description><![CDATA[Zack Snyder’s <em>Man of Steel</em> is an affront to mythmaking...]]></description>
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		<title>This is the End</title>
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		<pubDate>Wed, 12 Jun 2013 23:07:56 +0000</pubDate>
		<dc:creator>Josh Lunden</dc:creator>
				<category><![CDATA[Cinema Notes]]></category>

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		<description><![CDATA[Seth Rogan and Evan Goldberg’s turbo-meta This is the End is surprisingly good. The film is an often hilarious, genuinely compelling and uniquely inspired farce. The self-parodying gags are keenly and aggressively observed (the adornments of James Franco’s mansion/fortress are particularly brilliant) and there are enough cameos to stock five films. And even though the [...]]]></description>
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		<title>Frances Ha</title>
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		<pubDate>Wed, 29 May 2013 02:07:08 +0000</pubDate>
		<dc:creator>Josh Lunden</dc:creator>
				<category><![CDATA[Cinema Notes]]></category>

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		<description><![CDATA[Baumbach and Gerwig have made an infectious comedy...]]></description>
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		<title>Fast &amp; Furious 6</title>
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		<pubDate>Wed, 29 May 2013 02:02:42 +0000</pubDate>
		<dc:creator>Josh Lunden</dc:creator>
				<category><![CDATA[Cinema Notes]]></category>

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		<description><![CDATA[Dom and the gang are still living their lives a quarter mile at a time...]]></description>
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		<title>Life is Sweet</title>
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		<pubDate>Sat, 25 May 2013 08:42:24 +0000</pubDate>
		<dc:creator>Josh Lunden</dc:creator>
				<category><![CDATA[Blu-ray Review]]></category>

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		<description><![CDATA[Mike Leigh’s Life is Sweet is an open-ended portrait of a late 80s working class family—part boisterous comedy, part post-kitchen sink drama. It’s also a two-fingered salute to the despairs of Margaret Thatcher’s England. Leigh’s never been a polemicist, though. At his biting best, his films are sardonic confrontations. Andy (Jim Broadbent) and Wendy (Alison [...]]]></description>
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